The English Hymnal - Wiki Music Experiment/Hymns101-150/230
Jump to navigation
Jump to search
Lily1 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
To upload a midi, go here: file-repository. You need a userid and password (see this project's main wiki page).
Then create a link in this section to that uploaded midi file.
Lyrics copied from P3 and perl-formatted --QMacrocarpa 14:01, 3 July 2007 (PDT):
"ETERNAL Monarch, King most high"
"Whose Blood hath brought redemption nigh,"
"By whom the death of Death was wrought,"
"And conquering Grace's battle fought:"
""
"Ascending to the throne of might,"
"And seated at the Father's right,"
"All power in heaven is Jesu's own."
"That here his manhood had not known."
""
"That so, in nature's triple frame,"
"Each heavenly and each earthly name,"
"And things in hell's abyss abhorred,"
"May bend the knee and own him Lord."
""
"Yea, Angels tremble when they see"
"How changed is our humanity;"
"That flesh hath purged what flesh had stained,"
"And God, the Flesh of God, hath reigned."
""
"Be thou our joy and strong defence,"
"Who art our future recompense:"
"So shall the light that springs from thee"
"Be ours through all eternity."
""
"O risen Christ, ascended Lord,"
"All praise to thee let earth accord,"
"Who art, while endless ages run,"
"With Father and with Spirit One."
""
"Amen."
""
Lily2 Code
Edit this section and paste your code between the tags <code><pre> and </pre></code>.
%%% 230.png
%%% Hymn 141 Eternal Monarch, King most high
%%% Version 2
\version "2.10"
\include "gregorian-init.ly"
\header {
dedication = \markup { \center-align { "THE CHRISTIAN YEAR - ASCENSIONTIDE"
\hspace #0.1 }}
title = "141"
arranger = \markup { \small { "Mode viii." }}
tagline =""
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%% Macros
%% macro settings for stemless long note which is 2x duration of regular white note
ln = {\once \override NoteHead #'duration-log = #0
\once \override Stem #'stencil = ##f
\once \override NoteColumn #'force-hshift = #0.4 }
%% a second set of macro settings for stemless long notes ( 2x duration of regular white note )
%% this one uses X-offset instead of force-hshift.
%% All long notes are offset slightly to the right with respect to any beamed notes which
%% they are aligned with. Normally, this is done with force-hshift.
%% However, when 2 long notes occur one atop the other (i.e. in S + A pats or in T + B parts), then applying force-hshift
%% to both does not work. Hence one note needs to be moved with the regular force-hshift in the \ln macro above,
%% while the other is moved with X-offset with the macro \lnb
%% In general force-hshift is preferred whenever possible as slurs are adjusted automatically, while X-offset especially
%% when used with a bottom slur often results in a slur starting too far to the left and which then needs manual adjustment.
lnb = {\once \override NoteHead #'duration-log = #0
\once \override Stem #'stencil = ##f
\once \override NoteHead #'X-offset = #0.8 }
%% push a notehead slightly to the right
push = \once \override NoteHead #'X-offset = #2
%% push a tie slightly to the right. Sometimes needed when using \lnb above.
tiepush = \once \override Tie #'extra-offset = #'(0.8 . 0.0)
%%%%%%%%%%%%%%%%%%%%%%%% End of Macro definitions
%%% plainsong voice
plainsong = \context VaticanaVoice { \relative c {
\clef "vaticana-do3"
\set fontSize = #3
\key c \major
g'8 \[ g8 \pes a8 \] \override NoteHead #'extra-offset = #'(-5.2 . 0.0 ) \[ b8 \pes c8 \flexa a8 \] \revert NoteHead #'extra-offset
\[ g8 \flexa f8 \] \[ a8 \flexa g8 \] \[ a8 \pes b8 \]
\override NoteHead #'extra-offset = #'(-5.2 . 0.0 ) \[ \virga c8 \inclinatum b8 \inclinatum a8 \inclinatum g8 \]
\revert NoteHead #'extra-offset \[ a8 \flexa g8 \] \[ f8 \pes g8 \] g8 \bar "|" \break
g8 \[ g8 \pes c8 \flexa b8 \] \[ c8 \pes d8 \] d8 \[ c8 \flexa b8 \] \[ a8 \flexa g8 \] \[ a8 \pes c8 \] c8 \bar "|"
c8 a8 c8 g8 \bar "" \break
\[ g8 \pes a8 \] \[ a8 \flexa g8 \] \[ f8 \pes g8 \] g8 \bar "|"
f8 \[ a8 \flexa g8 \] \[ a8 \pes c8 \] \[ c8 \flexa b8 \] \[ a8 \flexa g8 \] \[ a8 \flexa g8 \] \[ f8 \pes g8 \] g8 \bar "||"
} }
%%% SATB voices
global = {
\key c \major
\set Staff.midiInstrument = "church organ"
}
soprano = \relative c' {
\autoBeamOff
\override Script #'padding = #1
g'8 g([ a] b[ c a]) g[ f] a[ g] a[ b c -> b a g] a[ g] f[ g] g \bar "|" \break
g g[ c b] c[ d] d c[ b] a[ g] a[ c] c \bar "|" c a c g \bar "" \break
g[ a] a[ g] f[ g] g \bar "|" f a[ g] a[ c] c[ b] a[ g] a[ g] f[ g] g \bar "||"
}
alto = \relative c' {
\autoBeamOff
d8 d[ e ~ ] \ln e4. ~ e8[ f] \ln e4 ~ \ln e4 \ln g4 f8[ e] ~ \ln e4 d8[ e] d \bar "|" \break
d8 c \ln g'4 ~ g8[ f] f \ln e4 ~ \ln e4 \ln f4 e8 \bar "|" e f ~ f e \bar "" \break
e8[ f] f[ e] d[ e] d \bar "|" d \ln e4 \ln f4 \ln g4 \ln e4 ~ \ln e4 d8[ e] d \bar "||"
}
tenor = \relative c { \clef bass
\autoBeamOff
b'8 d[ c ~ ] \ln
\once \override Tie #'control-points = #'((1.5 . 4.0 ) ( 5.0 . 5.0 ) ( 10.0 . 5.0 ) ( 14.4 . 4.0))
c4. ~ \ln c4 ~ \ln c4 ~ \ln c4 ~ \ln c4 ~ \ln c4 ~ \ln c4 a8[ c] b \bar "|" \break
b \once \override Tie #'control-points = #'((1.5 . 2.2 ) ( 5.0 . 3.2 ) ( 11.0 . 3.2 ) ( 14.8 . 2.2))
\ln g4. ~ g8[ a] a \ln c4 ~ \ln c4 ~ c8[ a] c \bar "|" c ~ c c c \bar "" \break
\push \ln c4 ~ \ln c4 a8[ c] b \bar "|" a \ln c4 ~ c8[ a] \ln c4 ~ c8[ b] \ln c4 a8[ c] b \bar "||"
}
bass = \relative c { \clef bass
\autoBeamOff
g'8 b[ a]
\once \override Tie #'control-points = #'((1.5 . 1.0 ) ( 5.0 . 0.0 ) ( 10.0 . 0.0 ) ( 14.4 . 1.0))
\lnb a4.~ \lnb a4 a8[ c]
\once \override Slur #'control-points = #'((1.5 . -2.0 ) ( 8.0 . -5.0 ) ( 18.0 . -5.0 ) ( 23.0 . -4.0))
\lnb a4( \lnb e4 f8[ c] ) a8[ c] d[ c] g \bar "|" \break
g'8 \once \override Tie #'control-points = #'((1.5 . 0.0 ) ( 5.0 . -1.0 ) ( 11.0 . -1.0 ) ( 14.8 . 0.0))
\lnb e4. ~ e8[ d] d \lnb a'4 ~ a8[ c] \lnb f,4 c8 \bar "|" c f a c \bar "" \break
c8[ f,] f[ c] d[ c] g' \bar "|" d a[ c] \lnb f4 \tiepush \lnb e4 ~ \lnb e4 \lnb c4 d8[ c] g \bar "||"
}
#(ly:set-option 'point-and-click #f)
\book {
\paper {
#(set-paper-size "a4")
%% annotate-spacing = ##t
print-page-number = ##f
ragged-last-bottom = ##t
ragged-bottom = ##t
}
\score {
<<
\new VaticanaStaff {\plainsong }
\new ChoirStaff <<
\new Staff = "upper" <<
\context Voice = sopranos {\voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\new Staff = "lower" <<
\context Voice = tenors {\voiceOne \global \tenor }
\context Voice = bass {\voiceTwo \global \bass }
>>
>>
>>
\layout {
ragged-right = ##f
ragged-last = ##f
\context { \Score timing = ##f }
\context { \Score \override TimeSignature #'transparent = ##t }
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
% *** Needed to produce beamed minims - which are quavers in disguise
\context { \Staff \override NoteHead #'duration-log = #1 }
\context { \Staff \override Stem #'flag-style = #'no-flag }
\context { \VaticanaStaff
% *** Increases distance between lines of staff
\override StaffSymbol #'staff-space = #1.6
% *** Changes staff to black instead of default red
\revert StaffSymbol #'color
% *** Makes clef bigger
\override Clef #'font-size = #3
% *** Would make ledger lines black, if there were any
\revert LedgerLineSpanner #'color
% *** Makes terminal barline visible
\override BarLine #'transparent = ##f
% *** Remove custos
\remove Custos_engraver
% needed for certain tweaks
\consists "Mark_engraver"
}
}
} %%% score bracket
%%% A separate score block to generate the midi minus the plainsong voice
%%% Since minims are quavers in disguise, tempo has to be set accordingly, tempo set to 2=80
\score {
\new ChoirStaff <<
\new Staff = "upper" <<
\context Voice = sopranos {\voiceOne \global \soprano }
\context Voice = altos {\voiceTwo \global \alto }
>>
\new Staff = "lower" <<
\context Voice = tenors {\voiceOne \global \tenor }
\context Voice = bass {\voiceTwo \global \bass }
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) }
}
}
%%% Hymn note markup
\markup { \hspace #36 \column {
" "
\line { \hspace #12 \italic "See also:" }
" "
\small "628 Hail thee, Festival Day."
\small "629 O King most high of earth and sky."
}}
%%fake score block to occupy space and force a pagebreak. Can't think of a better way of doing this.
\score{
{s4 }
\header { breakbefore = ##f piece = ##f opus = ##f tagline = ##f }
\layout{
\context { \Staff
\remove Time_signature_engraver
\remove Key_engraver
\remove Clef_engraver
\remove Staff_symbol_engraver
}}}
%%% Second page
%%% Lyric titles and attributions
\markup {
\hspace #12 \column {
\line { \small { \hspace #6 \smallCaps "Office Hymn." \italic " Till Whitsun" \hspace #24 \italic "c. 5th cent. Tr. J. M. Neale." } }
\line { \small { \hspace #8 \italic "Even," "E." }}
\line { \small { \hspace #32 "Aeterne Rex altissime." }}
}}
\markup { \hspace #32 %%add space as necc. to center the column
\column { %% super column of everything
\column { %%verse 1 is a column of 2 lines
\line { \hspace #2.2 \column { \lower #2.4 \fontsize #8 "E" } %%Drop Cap goes here
\hspace #-1.2 %% adjust this if other letters are too far from Drop Cap
\column { \raise #0.0 "TERNAL Monarch, King most high,"
" Whose Blood hath brought redemption nigh," } }
\line { \hspace #2.5 %%adjust hspace until this line left edge is flush with Drop Cap
\lower #1.56 %%adjust this until the line spacing looks right
\column {
"By whom the death of Death was wrought,"
"And conquering Grace's battle fought:"
" " %%% adds vertical spacing between verses
}}
}
\line { "2 "
\column {
"Ascending to the throne of might,"
"And seated at the Father's right,"
"All power in heaven is Jesu's own,"
"That here his manhood had not known."
" " %%% adds vertical spacing between verses
}}
\line { "3 "
\column {
"That so, in nature's triple frame,"
"Each heavenly and each earthly name,"
"And things in hell's abyss abhorred,"
"May bend the knee and own him Lord."
" " %%% adds vertical spacing between verses
}}
\line {"4 "
\column {
"Yea, Angels tremble when they see"
"How changed is our humanity;"
"That flesh hath purged what flesh had stained,"
"And God, the Flesh of God, hath reigned."
" " %%% adds vertical spacing between verses
}}
\line {"5 "
\column {
"Be thou our joy and strong defence,"
"Who art our future recompense:"
"So shall the light that springs from thee"
"Be ours through all eternity."
" " %%% adds vertical spacing between verses
}}
\line { "6. "
\column {
"O risen Christ, ascended Lord,"
"All praise to thee let earth accord,"
"Who art, while endless ages run,"
"With Father and with Spirit One. Amen."
}}
}
} %%% lyric markup bracket
%%% Amen score block
\score {
<<
<<
\new VaticanaStaff <<
\context VaticanaVoice = "plainsongamen" { \relative c {
\set Score.timing = ##f
\override Staff.Clef #'#'font-size = #3
\clef "vaticana-do3"
\set fontSize = #3
\override Staff.StaffSymbol #'staff-space = #1.6
\[ g'8 \pes a8 \] \[
\override NoteHead #'extra-offset = #'(0.0 . -0.1 ) g8
\override NoteHead #'extra-offset = #'(-0.38 . 0.0 ) \flexa f8 \pes
\override NoteHead #'extra-offset = #'(0.02 . 0.05) g8 \] }}
>>
\new Lyrics = "lyrics" { s1 }
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' {
\clef treble \global
\voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
\context Voice = "altos" { \relative c' {
\global
\voiceTwo e8[ f] e[ c d] \bar "||" }}
>>
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c {
\clef bass \global
\voiceThree \ln c'4 ~ \ln c4 b8 \bar "||" }}
\context Voice = "basses" { \relative c {
\clef bass \global
\voiceFour c8[ f8] c8[ a8 g8] \bar "||" }}
>>
>>
\context Lyrics = "lyrics" \lyricsto "sopranos" { \override LyricText #'font-size = #-1 "A " -- _ " men." }
>>
>>
\header { breakbefore = ##f piece = " " opus = " " }
\layout {
indent = 13\cm
raggedright = ##t
packed = ##f
\context { \Score \override TimeSignature #'transparent = ##t }
\context { \Score \override SeparationItem #'padding = #2 }
\context { \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'( -5 . 4) }
\context { \Score \remove "Bar_number_engraver"
timing = ##f
}
\context { \Staff \override NoteHead #'duration-log = #1 }
\context { \Staff \override Stem #'flag-style = #'no-flag }
\context { \VaticanaStaff %%customize vaticana staff context
\revert StaffSymbol #'color
\revert LedgerLineSpanner #'color
\override BarLine #'transparent = ##f
\remove Custos_engraver
}
}
}
%%% Separate score block for Amen midi minus plainsong voice
%%% Since the minims are quavers in disguise, the tempo has to be adjusted accordingly. A tempo of 2=80 is set.
\score {
\new ChoirStaff
<<
\context Staff = upper \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "sopranos" { \relative c' {
\clef treble \global
\voiceOne g'8[ a] g8[ f8 g8] \bar "||" }}
\context Voice = "altos" { \relative c' {
\global
\voiceTwo e8[ f] e[ c d] \bar "||" }}
>>
\context Staff = lower \with { fontSize = #-3 \override StaffSymbol #'staff-space = #(magstep -2) }
<<
\context Voice = "tenors" { \relative c {
\clef bass \global
\voiceThree \ln c'4 ~ \ln c4 b8 \bar "||" }}
\context Voice = "basses" { \relative c {
\clef bass \global
\voiceFour c8[ f8] c8[ a8 g8] \bar "||" }}
>>
>>
\midi {
\context { \Score tempoWholesPerMinute = #(ly:make-moment 80 8) } }
}
} %% book bracket
Lily3 Notes
Copy the Lilypond source to your computer and compile it to create MIDIs and a PDF to check. Leave notes here, or edit the code in Lily2 and leave notes describing the changes. After errors are corrected, the piece is declared "Cleared" and uploaded to the repository.
If you can't compile Lilypond, use the links here:
Original scan: 230.png
Links to L2 output version 1:
L2-141-v1.pdf L2-141-v1.midi L2-141-v1-amen.midi
Links to L2 output version 2:
L2-141-v2.pdf L2-141-v2.midi L2-141-v2-amen.midi
Notes by L2 Jkenny 07:48, 30 July 2007 (PDT)
- Lyrics verse 2 line 3: scan shows looks like it ends with a period but I think it should be a comma, at least that's the case with the 1933 edition.
Note by L3 KenJ 15:26, 23 August 2007 (PDT)
- System 1, bass clef, note 4: I think the ties are too close to the augmentation dots. You might consider putting more space between, like the above alto note. What do you think? If you also want to increase more space between alto augmention and slur, then do so.
- System 1, bass clef: slur under system looks like it extends too far to the left. Should probably be shortened just a little.
- System 1, treble clef: I don't really have problem with the two ties (the first and sixth of seven) being lower than the others, if this is what you intended. Just an observation. You can leave it that way if you like.
- System 2, bass clef: Ties too close to augmention?
- "See also" section: looks crunched for space. You might consider following previous samples of that section and center this in a single column. Just an idea (kind of like the reverse of combining one-column into two, to fit on one page).
- Lyrics, verse 1, line 1: insert comma at end of line.
- Lyrics, verse 2: Agree with comma at end.
- Amen: I think spaces around dash should be shortened so that "men" is at the beginning of the 3 barred-notes, as in the image. I think the last note would be separate (and the first 4 connected) if the last syllable was meant to be sung on last note.
- Make same score (including Amen) changes in 142.
- Make same lyric changes in 141 modern.
Notes by Jkenny 19:58, 23 August 2007 (PDT)
- System 1 bass - fixed ties.
- System 1 bass - fixed slur.
- System 2 bass - fixed ties.
- Arranged "See also" as a single column. Space is ample, so why stinge?
- Verse 1 inserted comma. Errata page updated.
- Fixed Amen.
- Will make changes to subsequent pieces.
- V2 up.
Note by KenJ 18:53, 24 August 2007 (PDT)
- Much better. Thank you. Clear it.
V2 uploaded to repository. Jkenny 01:23, 25 August 2007 (PDT)